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PASSEROTTI, Bartolomeo
Italian Painter, 1529-1592

 

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PASSEROTTI, Bartolomeo The Butcher's Shop a oil painting

Painting ID::  8457

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PASSEROTTI, Bartolomeo
The Butcher's Shop a
1580s Oil on canvas, 112 x 152 cm Galleria Nazionale d'Arte Antica, Rome
Italian Painter, 1529-1592
   
   
     

 

 

PASSEROTTI, Bartolomeo The Fishmonger's Shop agf oil painting

Painting ID::  8458

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PASSEROTTI, Bartolomeo
The Fishmonger's Shop agf
1580s Oil on canvas, 112 x 152 cm Galleria Nazionale d'Arte Antica, Rome
Italian Painter, 1529-1592
   
   
     

 

 

PASSEROTTI, Bartolomeo Holy Family with the Infant St John the Baptist and St Catherine of Alexandria f oil painting

Painting ID::  8459

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PASSEROTTI, Bartolomeo
Holy Family with the Infant St John the Baptist and St Catherine of Alexandria f
Oil on canvas, 111,5 x 92 cm Christian Museum, Esztergom
Italian Painter, 1529-1592
   
   
     

 

 

PASSEROTTI, Bartolomeo Portrait of a Gentleman with Two Dogs oil painting

Painting ID::  29884

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PASSEROTTI, Bartolomeo
Portrait of a Gentleman with Two Dogs
mk67 Oil on canvas 40 9/16x33 1/16in Pitti,Palatine Gallery
Italian Painter, 1529-1592
   
   
     

 

 

PASSEROTTI, Bartolomeo The Geflugelbandlerinnen oil painting

Painting ID::  45530

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PASSEROTTI, Bartolomeo
The Geflugelbandlerinnen
mk186 around 1577 Florence, Fondazione Roberto Longhi
Italian Painter, 1529-1592
   
   
     

 

 

PASSEROTTI, Bartolomeo Basket of Flowers oil painting

Painting ID::  62321

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PASSEROTTI, Bartolomeo
Basket of Flowers
54 x 83 cm Museo del Prado, Madrid This painting of a basket of flowers and its pair (Madrid, Museo del Prado) follow closely a type of flower piece made popular by Juan de Arellano in which the flowers occupy an open weave wicker basket placed on a rough stone ledge. Such images of flowers casually arranged and filling an open weave basket differ from the formal presentations of bouquets in vases and were perhaps intended to be seen as recently-gathered fresh flowers on short stems. Although the paintings have been considered early works by P?rez for reasons of their closeness to the typology of Arellano s works, they show that the painter was evidently in full possession of the technical resources that distinguish his mature style. In the 17th century, flower paintings commonly made up the decoration of chapels and monastic institutions. While it does not appear that symbolism played a significant role in Spanish flower paintings, viewers of a more sombre cast of mind could have read a Vanitas message in such pictures, in which the brief life of the flowers was a metaphor for human existence
Italian Painter, 1529-1592
   
   
     

 

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PASSEROTTI, Bartolomeo
Italian Painter, 1529-1592